Contents
V 6 N 1
Spring 1999
Special Issue:
Caribbean Literature
Guest Editor:
Margaret Bass
Articles
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Title | Author |
Page
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Introduction | Margaret Bass |
1
|
Tradition and the Marginalized Talent: Reading Wilson Harris' Carnival as a Postcolonial Revision of Dante's Commedia |
Robert Bennett |
4
|
The Role of Creole Orature, Caribbean Performance Poetry, and Across-Class Collaborations in the Development of Jamaican Literary and Popular Arts: An Interview with Mervyn Morris | Loretta Collins |
30
|
C.L.R. James: Beyond a Boundary and Out of Sight | Mary Lou Emery |
66
|
Immigrants, Prostitutes, and Chorus Girls: National Identity in the Early Novels of Jean Rhys | Andrea Lewis |
82
|
Rhys' Epistemological Background | Helen Lock |
96
|
Provincial Subjects in the Classical Labyrinth: The Challenge to Tradition in Brathwaite's X/Self | Mark McMorris |
104
|
Brahmanic Patriarchy in an Indo-Trinidadian Context: Lakshmi Persaud's Sastra and Butterfly in the Wind |
Brinda Mehta |
125
|
Exploring the Margin: Models of Cultural Identity in the Postcolonial French Caribbean | H. Adlai Murdoch |
153
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