ContentsNEW SERIES: V 4 N 2
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Articles
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Title | Author |
Page
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Assia Djebar at the Académie Française: Performing Legacy and Memory | Kamal Salhi |
3
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Interrogating the Book of Terror: Pauline Melville’s Eating Air | Kathleen Renk |
55
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Mythical Archives: Epistolary Performance of an Imperial Tragedy | Nida Sajid |
68
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“His Blood Was Pure English”: Border Anxiety, Race, and Mimicry in Post-Imperial Mutiny Fiction | Shumona Dasgupta |
85
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Teaching the Postcolonial: Theory and Pedagogy World Literature in the Classroom: Some Pedagogical Considerations | Aruna Krishnamurthy |
101
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Poetry
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Helen | Lopamudra Basu |
119
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Nine Poems from HIRAETH: Tercets From the Last Archipelago | Eileen Tabios |
121
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Book Review Essays
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“Migrating Peoples and Ideas in Contemporary Drama” | Laureano Corces |
137
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Performance, Identity, and Immigration Law: A Theatre of Undocumentedness, by Gad Guterman |
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Crossing Borders: Intercultural Drama and Theatre at the Turn of the Millennium, by Bernard Reitz and Alyce von Rothkirch |
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Performance, Exile and "America", by Silvija Jestrovic and Yana Meerzon |
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“Commodification, Literary Cosmopolitics, and World Englishes: Towards a ‘Transgressive Theory’ of Postcolonialism” | Robert Kusek and Wojciech Szymaʼnski |
146
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Commodifying (Post)Colonialism: Othering, Reification, Commodification and the New Literatures and Cultures in English, edited by Rainer Emig and Oliver Lindner |
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National Consciousness and Literary Cosmopolitics: Postcolonial Literature in a Global Moment, by Weihsin Gui |
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Involuntary Associations: Postcolonial Studies and World Englishes, by David Huddart |
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Book Review
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Critical Collaborations: Indigeneity, Diaspora, and Ecology in Canadian Literary Studies, edited by Smaro Kamboureli and Christl Verduyn |
Elaine Savory |
155
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